![]() ![]() “The music is comic and strange and goofy,” he said, referring to “Nightmares,” a bouncy, horn-laced cut by English alt-pop group Easy Life. Sam Miller, who codirected the series with Coel, said they explicitly avoided “underlining emotion with the music.” Instead, he said, “A lot of the time we’re using music to sort of counter-punctuate - trying to take you away from the emotional thread of the story and keep you on edge.”Īs an example, Miller pointed to the end of Episode 2, when one character confronts another who has betrayed her trust. But where the earlier show had a bright, cartoonish energy, “I May Destroy You” is darker and more complicated it examines Arabella’s rape (and its aftermath) from the conflicting viewpoints of each person involved, and not always with the aim of tidying up a messy situation. Produced in conjunction with the BBC, “I May Destroy You,” whose next-to-last episode will be shown Monday night, follows Coel’s breakout 2015 comedy series, “Chewing Gum,” about a sheltered religious girl determined to shed her virginity. ![]() But Elwis, a veteran of challenging British TV shows including “Sex Education” and “The End of the F- World,” persisted in arguing Coel’s case, and eventually they agreed to its use in “I May Destroy You.” But this case had a moral dimension as well: Elwis wrote a long letter to the song’s rights holders (Brunson died in 1997) explaining what Coel was trying to accomplish in the series, which the actor based on her own painful experience she even had Coel, who’d spent a portion of her life in the Pentecostal church, add a few personal words to make clear how critical “It’s Gonna Rain” was to the scene. In an age of dwindling record sales and fraction-of-a-penny streaming royalties, an offer of cash is often enough to get an artist to license their material. “Straightaway, I knew: OK, right, this is going to have to be approached very carefully,” Elwis said. The red flag was a pivotal scene in which Coel’s character, Arabella, stumbles out of a bar after having been drugged - or, rather, it was the fact that Coel wanted to set the scene to “It’s Gonna Rain,” a decades-old gospel tune by the Rev. The first time Ciara Elwis read the script for “I May Destroy You” - the rapturously received HBO series about a young London woman attempting to piece together the murky details of a sexual assault - she immediately took note of what she called a “red flag.”Įlwis had just signed on as the show’s music supervisor, collaborating with its creator and star, Michaela Coel, to select and procure the rights to use the various songs that would make up its soundtrack. Michaela Coel's "I May Destroy You" features music from an array of hip, up-and-coming U.K. ![]()
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